Read the Letter That Vonnegut Sent Home After Being Released as a Prisoner of War!
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When he was an American pw in Nazi Germany, Kurt Vonnegut famously survived the 1945 aerial bombing of Dresden by hiding in the meat locker of a slaughterhouse—a harrowing feel that closely informed the plot of his masterful 1969 novel, Slaughter-house-V. During his lifetime, Vonnegut commented extensively on this wartime episode, cataloguing the devastation of "perhaps the world's most beautiful metropolis" and describing the burial duties undertaken by him and his fellow POWs: most significantly, the retrieval of 130,000 corpses trapped underground, a chore that the writer, in typically blunt style, later on termed "a terribly elaborate Easter egg hunt."
But until now, Lauren Christensen reports for the New York Times, a trove of photographs, newspaper clippings and correspondence compiled by Vonnegut and his family between 1944 and 1945 had remained unseen by the public, advisedly hidden in the safekeeping of the author's sister and his male parent.
The 84-page book, which sold for $187,500 in Christie'south Fine Printed Books & Manuscripts sale earlier this calendar month, includes 22 letters from Vonnegut to his family, photographs the young soldier took of the razed city of Dresden and a January 1945 telegram stating that "Private First Course Kurt Vonnegut Jr Has been reported Missing in Action."
Co-ordinate to Christie'due south, the notes reflect Vonnegut'south "trademark satire and dry humor" under fifty-fifty the near dire of circumstances. In a January iii, 1945, letter of the alphabet composed effectually two weeks later on his capture, he offers a gross understatement: "Information technology'southward been ane helluva holiday season for all of us." And, in a message written two days after his liberation, he declares, "It is a source of great delight to be able to announce that you volition soon receive a splendid relic of World War Ii with which you may decorate your hearth—namely, me in an first-class land of preservation."
Other letters underscore traumas the author couldn't acquit to mask with light-hearted jests. As he says in a May 21 annotation, "This letter of the alphabet started as a huge joke. … [But] there's aught funny in watching friends starve to death or in conveying trunk after trunk out of inadequate air-raid shelters to mass kerosene funeral pyres—and that is what I've done these by six months."

Justin L. Mack of the Indianapolis Star explains that Vonnegut, an Indianapolis native, enlisted in the United states Ground forces in January 1943, when he was enrolled every bit a chemistry major at Cornell University. Following short stints at the Carnegie Institute of Technology and the University of Tennessee (where he was assigned to study mechanical engineering), he was deployed to Europe with the 106th Infantry Segmentation. Soon after arrival, he was taken prisoner by the Nazis, who were mounting their last smashing offensive of the war at the Battle of the Bulge, and sent to Dresden alongside swain POWs.
Writing for Mental Floss, Suzanne Raga notes that Vonnegut spent his days working long hours in a malt-syrup factory. At nighttime, he slept in the subterranean slaughter-house that ultimately saved his life.
Only one of the letters included in the newly publicized scrapbook had been previously published. Dated May 29, 1945, the retrospective missive—written from a repatriation camp in Le Havre, France—describes the "sadistic and fanatical guards" responsible for watching over the prisoners during their time in Dresden. Equally the merely American with some knowledge of German, Vonnegut became the group's de facto leader, a position he lost afterwards telling the guards "just what I was going to do to them when the Russians came."
Around Valentine's Day 1945, the Americans launched an unprecedented firebombing campaign against Dresden, killing anywhere from 35,000 to 135,000 people—"just non," the author noted, "me." In Vonnegut's Slaughterhouse-Five, an ill-suited soldier similarly escapes decease and somewhen describes the aftermath of the scene as a desolate mural "similar the moon."
Following his release in mid-1945, Vonnegut returned to Indianapolis. He debuted his first novel, Player Pianoforte, in 1952, merely it was his sixth novel, Slaughterhouse-Five, that made him a household name. The principal conceit of the novel—that protagonist Baton Pilgrim has become "unstuck in time," leaving him to bladder through the entirety of his by—makes a somber betoken: As Jonathan Creasy of the Los Angeles Review of Books lays out, it's that "massacres such as Dresden happened; they always have happened and they always volition happen."
Vonnegut himself in one case darkly stated that the Dresden bombings were so meaningless that he may have been the just individual to accept gotten something out of them. "One fashion or another, I got 2 or three dollars for every person killed," he in one case said. "Some business I'one thousand in."
Larger philosophical questions raised by Vonnegut's work bated, the wartime scrapbook offers a glimpse into the burgeoning mind of the author. Many of the characteristics credible in his afterward writings are evident in nascent form, but other qualities are wholly singular, affording the book a unique place in Vonnegut lore.
It remains to be seen whether the scrapbook'south new owner will publish the letters and assorted ephemera in full, but if non, fans can at least depict on the excerpts provided by Christie's.
As the writer famously concluded, "So it goes."
Source: https://www.smithsonianmag.com/smart-news/kurt-vonneguts-unpublished-world-war-ii-scrapbook-reveals-origins-slaughterhouse-five-180971046/
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